headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Candyman
May 14, 1970
Merramec Community College

Almost a prayer. Stripped down, pure, harmonized and beautiful. Fans of the acoustic Candyman shouldn't pass this one by.
3
Don't Ease Me In
May 14, 1970
Merramec Community College

Sweet and solid show opener. A pure expression of the peak '70 year sound. Strap in and enjoy the show....
4
Sawmill
May 7, 1970
DuPont Gym - MIT

Yeehaw, but that's a sweet rare tune. Put Sawmill next to Slewfoot for gems from the era. Awesome stuff.
4
Uncle John's Band
May 7, 1970
DuPont Gym - MIT

An acoustic lovely. I think DG is there on backup. It's rough-hewn, like just a couple offriends jamming on the verge of the bad crazy 1970s.
12
Uncle John's Band
May 1, 1970
Alfred College

Acoustic wow factor, with beautiful harmonies. Unfortunate gap towards the end, but worth it still.
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Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.
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