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Carrion_Crow

Stealth Head

+49667


Submissions

8
High Time
March 7, 1970
Civic Auditorium

Understated and subtle. This is a mysterious beauty. Not for the AUDphobic, it has some sound/tape issues.
3
King Bee
March 1, 1970
Fillmore East

Don't overlook it b/c of a few tape quality issues. This is fundamental '70 Dead and Pig was in fine form.
6
Cumberland Blues
March 1, 1970
Fillmore East

Relentlessly pulsing at a full shitkickin' clip. A few tape speed issues, but whatta time. Excellent.
6
The Other One
March 1, 1970
Fillmore East

High heat, though the levels are set really low and it sounds muffled. Sounds like Pig was playing a Hammond B3 that gives it the extra horsepower.
2
Turn On Your Love Light
Feb. 27, 1970
Family Dog at the Great Highway

The rap gets good and weird, and there's some funny doo-wop backup vocals around minute 17.

Comments

They Love Each Other
June 10, 1976
Boston Music Hall

Seems like the first one where they made slowness the musical objective. While I personally prefer the uptempo versions, this one highlights some of the subtlety and innuendo that sometimes got lost in the uptempo ones.
Sugaree
June 10, 1976
Boston Music Hall

Just what they said above: Here starts the great Sugaree surge. Keith's work here is tremendous, and signals where the thinking was on this song for the future.
Brown Eyed Women
June 9, 1976
Boston Music Hall

Beautiful ensemble singing and a pristine jam here.
St. Stephen
June 9, 1976
Boston Music Hall

Before the '76 Stephen slowed waaaaaaaaaaaaaaaaaay down, you have this brilliancy. Expanding to 11 minutes of thematic bell-ringing, followed by a tight re-entry. No secret that St. Stephen was a point of contention in the band's history, but I listen to this one and wonder why didn't they take this style further?
Ship of Fools
June 9, 1976
Boston Music Hall

The orchestration of this version brings out emotional arcs that were sometimes lost in later version that didn't have the crescendo-decrescendo of intensity characterized by this one. I know some folks found this song a snooze, but when I listen to this one I can hear a complicated, introspective piece that does it for me. Nice version.