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Carrion_Crow

Stealth Head

+49667


Submissions

9
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
6
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
2
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
3
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)
2
Samson and Delilah
June 11, 1976
Boston Music Hall

Ballsy strut. Donna and Bobby are perfectly in sync, the mix is great, and Jerry's on fire. Check out the Miller cleanup.

Comments

The Music Never Stopped
June 9, 1976
Boston Music Hall

"Mad underrated" indeed, as the man above said. What a dream show.
Cassidy
June 9, 1976
Boston Music Hall

Pure beauty. These first shows of '76 telegraph so many new ideas and such a creative moment in the band's history. Imagine all the roll-outs and new material, along with a new sound, stripped down gear, and a technical ferocity following the hiatus (I'm on a big '76 kick right now). Boyz and Grlz, check out this show... you'll dig it!
Cold Rain and Snow
June 9, 1976
Boston Music Hall

Absolute ripper. My theory is that the boys would open with CRS when they were feeling particularly good. There are just too many lightning-in-a-bottle examples for it to be a coincidence. This version has so much love for the sound and pleasure of making a joyous noise, and it signals a brilliant brilliant show to come. Enjoy it heads, if you don't know it.
Cosmic Charlie
June 4, 1976
Paramount Theatre

There's something quite mocking about this song. "Cosmic Charlie" always seemed like a dismissal you might hear of someone who's just a bit too keen on being part of the scene - with that "go on home, your mama's calling you" being a bit too much like a classic insult for a wannabe. In any case, I always wanted them to play it again, and never saw it live. Anyone know the origins of the lyric?
Might As Well
June 4, 1976
Paramount Theatre

As happy a version as you can find, about a happy time. Interplay is perfect here.