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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Big Railroad Blues
Aug. 15, 1971
Berkeley Community Theater

Kicks off an excellent show with intense and driving energy. The quintet is super-charged and bursting with energy. One of the best versions I know.
2
Playin' In The Band
Aug. 14, 1971
Berkeley Community Theater

Packs a lot into its 4.5 short minutes. Great bass-heavy SBD gives you a Phil masterclass. Love the short ones, love the long ones....
4
Casey Jones
Aug. 5, 1971
Hollywood Palladium

Just kickin', this one. The whole show is dynamite.
2
El Paso
Aug. 4, 1971
Terminal Island Correctional Facility

One of the slower waltz versions, with lovely vocals from Cowboy Bob, who gives us a nice country warble. Sweet backup harmony and Jer being Jer.
6
China Cat Sunflower -> I Know You Rider
Aug. 4, 1971
Terminal Island Correctional Facility

Philzone masterclass. Hot and tight jam, the Rider three-part harmonies sound like some of the acoustic versions from the previous year.

Comments

Help On The Way > Slipknot > Franklin's Tower
June 4, 1976
Paramount Theatre

Brilliant version, flawlessly executed in the return show. Jerry has that buzz-saw tone throughout the long and interesting Help>Slip transition, and Phil takes a cool solo.
Candyman
June 4, 1976
Paramount Theatre

Great comment from Glyn. Great version and a pivotal moment transitioning post-hiatus.
Help On The Way > Slipknot > Franklin's Tower
June 3, 1976
Paramount Theatre

Not my favorite Franklin, (seems to drag a bit by the last vocals) but the mellow welcome-to-'76 vibe for the Help>Slip part are inspired. The setlist for this show is the stuff of dreams.
Around and Around
June 3, 1976
Paramount Theatre

Very funny transition from a silly-slow start to a double-time finish. Half the band doesn't know what the f' is happening until they catch up. Funny capper to an historically important show.
Samson and Delilah
June 3, 1976
Paramount Theatre

Considering that the '76 Dead brought Mickey back, this song seems all the more important. If ever there's a two-drummer tune in the mid-70s repertoire, this is it. Great feel to it, and Bobby's kicking the shit out of the lyric. Great debut to a great song.