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Carrion_Crow

Stealth Head

+49677


Submissions

8
Brown Eyed Women
Oct. 18, 1974
Winterland Arena

Subtle power and perfect execution. The "retirement" shows are full of pure, clear playing.
6
Good Lovin'
Jan. 23, 1970
Honolulu Civic Auditorium

Relaxed (Hawaii, natch) vibe without a Pig rap, but the band sounds just outta sight and Pig is on. Good times here.
16
Black Peter
Jan. 23, 1970
Honolulu Civic Auditorium

Powerful vocals and a tight sound in front of what sounds like only 100 people.
4
Candyman
Feb. 1, 1971
Unknown

You've never heard anything like this before. Out take from American Beauty era, mis-dated on Archive, but absolutely wonderful.
3
Truckin'
Aug. 26, 1971
Gaelic Park

A+ goddamned good, keeps me bobbing and weaving. Hard throbbing, and into a killer TOO, too.

Comments

Scarlet Begonias
June 3, 1976
Paramount Theatre

Revisiting after a long spell, and this is as pure as they come. No FoTM, but natch, it wasn't written yet. What a beauty.
Cassidy
June 3, 1976
Paramount Theatre

Years later and back for another dose of this historic show. Sure, there's some rough patches, but can you imagine being there as a head, waiting out the hiatus and they bust out with new repertoire including Cassidy? This is some of Barlow's greatest writing for the band, and I've always considered this one of the most philosophical songs in their oeuvre deceptively simple, but "scattered like lost words" speaks beauty, and "I can tell by the mark he left you were in his dream" is mysterious dark poetry of the highest order. This might not be the tightest version ever, but it's definitely one of the most satisfying - at least for me.
Sugar Magnolia
Dec. 31, 1972
Winterland Arena

Totally bonkers. Really, like zonkers bonkers: It's more uptempo - maybe our boys took their vitamins during the break - and Crosby's addition gives it an almost orchestral quality. Really a beauty.
The Other One
Dec. 31, 1972
Winterland Arena

Goes deep weird. (I love that.) But it also has a floaty ethereal passage before heading into Morning Dew that is just sublime. Phil and Billy's Drum and Bass solo is brilliant. Did they freakin' invent the genre? They did a similar solo on the 12th of the same month which is worth a listen, too.
Truckin'
Dec. 31, 1972
Winterland Arena

Scorching hot jam, with a great radio broadcast version on the Archive with a perfectly balanced soundboard. Everyone is audible, and they're deep in the pocket, plus Jerry is just inspiration on wheels. Truckin' when it's hot is unbeatable, and this one kicks off over an hour-long sweet sweet suite.