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Carrion_Crow

Stealth Head

+49667


Submissions

2
Brown Eyed Women
Oct. 28, 1972
Cleveland Public Hall

One of those note-for-note perfect versions that leave you staggered and smiling. Just beautiful.
2
Sugaree
Oct. 28, 1972
Cleveland Public Hall

Not a song I usually get so swept up by, but on this one Jer's vocals are just perfect, capturing the sweetness and sorrow of the lyrics. A beaut.
4
China Cat Sunflower -> I Know You Rider
Oct. 28, 1972
Cleveland Public Hall

High-powered and tight. This show has nothing but complaints about the mix on the archive. Listen to the Ashley transfer, and see what you've missed.
2
Tomorrow Is Forever
Oct. 27, 1972
Veterans' Memorial Hall

Such sweet harmony, such sweet sentiment - turning on a dime after the white-hot Dew. Shows the beautiful country chops Donna at her best brought.
2
Nobody's Fault But Mine
Oct. 27, 1972
Veterans' Memorial Hall

Jam starts at around 05:45, never fully forms. Am I crazy? This sounds like NFBM and it continues about 3min into TOO. Very very cool stuff here.

Comments

Scarlet Begonias
June 3, 1976
Paramount Theatre

Revisiting after a long spell, and this is as pure as they come. No FoTM, but natch, it wasn't written yet. What a beauty.
Cassidy
June 3, 1976
Paramount Theatre

Years later and back for another dose of this historic show. Sure, there's some rough patches, but can you imagine being there as a head, waiting out the hiatus and they bust out with new repertoire including Cassidy? This is some of Barlow's greatest writing for the band, and I've always considered this one of the most philosophical songs in their oeuvre deceptively simple, but "scattered like lost words" speaks beauty, and "I can tell by the mark he left you were in his dream" is mysterious dark poetry of the highest order. This might not be the tightest version ever, but it's definitely one of the most satisfying - at least for me.
Sugar Magnolia
Dec. 31, 1972
Winterland Arena

Totally bonkers. Really, like zonkers bonkers: It's more uptempo - maybe our boys took their vitamins during the break - and Crosby's addition gives it an almost orchestral quality. Really a beauty.
The Other One
Dec. 31, 1972
Winterland Arena

Goes deep weird. (I love that.) But it also has a floaty ethereal passage before heading into Morning Dew that is just sublime. Phil and Billy's Drum and Bass solo is brilliant. Did they freakin' invent the genre? They did a similar solo on the 12th of the same month which is worth a listen, too.
Truckin'
Dec. 31, 1972
Winterland Arena

Scorching hot jam, with a great radio broadcast version on the Archive with a perfectly balanced soundboard. Everyone is audible, and they're deep in the pocket, plus Jerry is just inspiration on wheels. Truckin' when it's hot is unbeatable, and this one kicks off over an hour-long sweet sweet suite.