headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

6
Brown Eyed Women
Dec. 31, 1971
Winterland Arena

Buzzing and crackling and just a wee bit manic. Early 1st set and the party is raging. Fun and wild.
20
High Time
Jan. 2, 1970
Fillmore East (Late Show)

Sublime and mysterious. A beauty.
7
Mama Tried
Jan. 2, 1970
Fillmore East (Late Show)

Perfect fun, with great organ work and the '70 sound. Pig says, "I'd thank you to not use no dirty words in the public" which cracks me up, too.
25
Caution
April 29, 1972
Musikhalle

Fast and relentless. This one has power behind it.
3
Black Peter
Dec. 29, 1969
Boston Tea Party

Deep and dark with strong emotional jams. Lots of great Peters around this time.
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Comments

Playin' In The Band
Nov. 15, 1972
Oklahoma City Music Hall

"Triumphant return" is a perfect description, darkstar67. My tastes run the same.
Playin' In The Band
Nov. 15, 1972
Oklahoma City Music Hall

Hot and fast jamming that never goes full-tweaking brain-melt like some of the others from right around this time. More than anything this benefits from a profoundly satisfying mix, allowing us to hear everyone in a lush soundscape, like we're right up there on stage with them. Jerry's got endless creative energy, Bobby's perfectly accenting and feeding him, and Keith is tremendous here too. This could be top shelf by anyone's standards.
Cumberland Blues
Nov. 15, 1972
Oklahoma City Music Hall

As much as I love the two-drummer eras, there are certain moments and songs where Billy alone seems so much better. Listen to his shitkickin' coal-car shuffle here and tell me it would have been improved with Mickey doubling up on every backbeat.
Candyman
Nov. 15, 1972
Oklahoma City Music Hall

Agreed with Broken Compass, this one is pretty damn close to perfect. It has everything: Strong vocals, including the harmonies, muscular - even swaggering soloing - and the emotional onslaught of some of the greatest lyrics off American Beauty. They even sound a bit "cowboy Dead" à la 1970 here. What a gem.
Bird Song
Nov. 15, 1972
Oklahoma City Music Hall

Beautiful melodicism and the vox, as noted is just so sweet.
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