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Carrion_Crow

Stealth Head

+49652


Submissions

13
Brown Eyed Women
Oct. 2, 1977
Paramount Theatre

Perfection firing on all cylinders: Tight band, muscular beats, beautiful vocals (Donna's on!) and that applied greatness that is the '77 Dead.
13
Doin' That Rag
March 2, 1969
Fillmore West

Blissful '69 chaos: Jer says, "Help! Help! Hey, we need some organized minds up here" and then they launch. Great fun and a wild ride.
13
Comes A Time
Oct. 22, 1971
Auditorium Theatre

Pure. One of the first performances with beautiful, meaning-soaked delivery.
9
Wharf Rat
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

Suffers a cutout in the middle, but reaches transcendant beauty and interplay. They end on a harmonics/tuning just delightfully right out of the song.
7
Mississippi Halfstep Uptown Toodeloo
Nov. 1, 1973
McGaw Memorial Hall - Northwestern University

Sweet and subtle, part of a mega-massive 2nd set jam. A beauty.

Comments

Tomorrow Is Forever
Oct. 30, 1972
Ford Auditorium

Cruel cut. This could otherwise have been the top version.
You Ain't Woman Enough To Take My Man
Feb. 15, 1973
Dane County Coliseum

Uh, did you not know that they took their country music pretty seriously, and that they'd been doing so as the Dead for the past three years at this point? Or maybe had you ever thought that genre bending wasn't just some happy accident of their repertoire (hellooooo, Dark Star>El Paso), but in fact deleriously fundamental to the musical-aesthetic and cultural projects that these artists gave their lives to, not to mention a transcendal gift you can experience in the infinite facets of the nightfall of diamonds that is their œuvre? And finally, would you please consider that referring to Donna in this way is, if not only vulgar and crass, then basically just disrespectful not only to her and the band and their musical choices, but also to everyone else who loves the band and about 50% of the human species?
Viola Lee Blues
Jan. 1, 1966
Viola Lee Blues Rehearsals

Freakin' amazing document covering extensive rehearsals of VLB giving us a deep glimpse into their process right there at the beginning. It's so cool to sneak a peak at them while they're working, and the sound is remarkably balanced and clear for an old rehearsal tape - thanks to Bear, who you can also hear during some of the banter.
Lost Sailor -> Saint of Circumstance
Dec. 31, 1980
Oakland Auditorium

Always loved the expansive emotional range and wide-open cartographic mystery of this suite, which never seems to get the respect it deserves. This is one of the Weir-Barlow classics: human, cerebral, transitive, emotional. I loved being part of it live. I love it now.
Playin' In The Band
Oct. 30, 1972
Ford Auditorium

Hey Glyn, Where'd you find the full 20 minutes? The only AUD on the Archive drops us into the jam, which is smokin' hot like the best of Fall '72 Playin's. Is there another source out there? Send links, brother....