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Carrion_Crow

Stealth Head

+49667


Submissions

4
Candyman
June 3, 1976
Paramount Theatre

Keith and Donna on this are just wonderful. Strong version all around, but Keith's fillis are just outta sight.
8
Me and My Uncle
Dec. 31, 1971
Winterland Arena

Intensity encapsulated in the middle of a TOO jam outta this world. Here's as good an example of the cowboy psychedelicore Winter '71 as you can find.
3
Me and Bobby McGee
Dec. 15, 1971
Hill Auditorium

A bit faster and carried along with a strong backbeat from Mr. K. makes this one special. Perfect ensemble singing arrangement too.
20
Run Run Rudolph
Dec. 14, 1971
Hill Auditorium

Pigpen, Chuck Berry, Santa Claus, because fuck yeah, that's why.
10
Not Fade Away
Dec. 10, 1971
Fox Theatre

Dec '71 NFA-GDTRFB-NFAs are all powerful statements of the band's essential unity. I love how China Cat peaks out atcha during the jams.

Comments

They Love Each Other
April 29, 1977
The Palladium

Keith has a moment of brilliancy here, exploring his MOOG or whatever rig he was working on at this point in a killer solo. He's working on a steam-powered calliope sound just like a merry-go-round befitting the eye-rolling, tongue-in-cheek story being told in the song. Form... meet content.
Tennessee Jed
April 29, 1977
The Palladium

Jerry's lyricism and melodic poetry are just on point. Note-by-note his solos here are just exactly perfect. The crowd enthusiasm is palpable and they erupt with joy over this one.
Help On The Way > Slipknot > Franklin's Tower
April 29, 1977
The Palladium

First off, they START the show with this, so if you're just settling in and you get smacked around by this monster you'd know you're in for a good night. Secondly the Slipknot is a spacetime-bending extra-dimensional portal or something like that: It takes the tempo way down, giving it the 'opium den on mars' kind of vibe before slowly, then quickly, then lickety-splittely winding back up into quicksilver lightning. Then, as the folks here say, the Franklin's is an ultra. Given the setlist I imagine a lot of heads were thinking "uh, wait... when did we drop?" right about here.
Johnny B. Goode
April 27, 1977
Capitol Theatre

Any musician knows you encore JBG when you know you've just been hot as hell. This show rips from start to finish and this JBG caps it off beautifully. Keith channels his inner Jerry Lee Lewis and shows how it's done to end a killer show.
Samson and Delilah
April 27, 1977
Capitol Theatre

Underrated! Sizzling up-tempo, this one pops with energy and pizzazz. Jerry and Phil are just on fire. If this doesn't get your legs moving and heart pumping, go see your doctor.