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Carrion_Crow

Stealth Head

+49677


Submissions

24
Black Peter
Jan. 2, 1970
Fillmore East (Late Show)

Low key and smooth - a real treat. Show is known for its great DS>SS>11, but give this a listen. Nice.
2
Hurts Me Too
Jan. 22, 1971
Lane Community College

Despite the lo-fi tape, this has got to be some of the deepest blues they ever played. Don't let the murky recording turn you off - it's worth it.
7
Hard to Handle
April 17, 1971
Dillon Gym

Cruising along with 3rd° swagger when it suddently hits high gear and <BOOM!>, you become the Pig, and it feels good.
3
Truckin'
April 17, 1971
Dillon Gym

Openers this good let you know exactly how amazing the show will be. 17.04 isn't just the best Good Lovin' of all time but an all round killer show.
14
Big Railroad Blues
April 5, 1971
Manhattan Center

Simply the best one I know. Energetic uptempo rockin' and rollin' with a hard driving bass player named PHIL!

Comments

They Love Each Other
April 29, 1977
The Palladium

Keith has a moment of brilliancy here, exploring his MOOG or whatever rig he was working on at this point in a killer solo. He's working on a steam-powered calliope sound just like a merry-go-round befitting the eye-rolling, tongue-in-cheek story being told in the song. Form... meet content.
Tennessee Jed
April 29, 1977
The Palladium

Jerry's lyricism and melodic poetry are just on point. Note-by-note his solos here are just exactly perfect. The crowd enthusiasm is palpable and they erupt with joy over this one.
Help On The Way > Slipknot > Franklin's Tower
April 29, 1977
The Palladium

First off, they START the show with this, so if you're just settling in and you get smacked around by this monster you'd know you're in for a good night. Secondly the Slipknot is a spacetime-bending extra-dimensional portal or something like that: It takes the tempo way down, giving it the 'opium den on mars' kind of vibe before slowly, then quickly, then lickety-splittely winding back up into quicksilver lightning. Then, as the folks here say, the Franklin's is an ultra. Given the setlist I imagine a lot of heads were thinking "uh, wait... when did we drop?" right about here.
Johnny B. Goode
April 27, 1977
Capitol Theatre

Any musician knows you encore JBG when you know you've just been hot as hell. This show rips from start to finish and this JBG caps it off beautifully. Keith channels his inner Jerry Lee Lewis and shows how it's done to end a killer show.
Samson and Delilah
April 27, 1977
Capitol Theatre

Underrated! Sizzling up-tempo, this one pops with energy and pizzazz. Jerry and Phil are just on fire. If this doesn't get your legs moving and heart pumping, go see your doctor.