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Carrion_Crow

Stealth Head

+47945


Submissions

2
Loser
Dec. 11, 1972
Winterland Arena

Solid powerful version where they start gelling perfectly for the set.
2
Sugar Magnolia
Dec. 10, 1972
Winterland Arena

Uptempo, intense, driving statement of holy-fuckiyana rock'n'roll. Not one I usually +1, but this is worth it. The SSDD is dynamite.
3
Truckin'
Dec. 10, 1972
Winterland Arena

Hard-charging diesel burner here. Bobby's nice and high in the mix, so a nice treat. The jam into TOO is brilliant.
4
China Cat Sunflower -> I Know You Rider
Dec. 10, 1972
Winterland Arena

Why no love for this great show? It isn't one of the top 10 for the year - but it's '72 and they're flowing just exactly perfect.
4
Bertha
Dec. 10, 1972
Winterland Arena

A hot rocker with Phil high in the mix. This is a "get up and dance" version with everyone clearly having a blast.

Comments

The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
Scarlet Begonias
March 20, 1977
Winterland Arena

That ending scrambled some brains, my god. That said, I can't be the only one who thinks that for all if its glory, Scarlet/Fire gave up the awesome lead-up to Scarlet's punctuated ending (here beginning around minute 11:00) that couldn't be regained when it always morphed into FoTM. But can we also have a moment for that rising intensity Jerry-driven insanity starting with the solo after "let her pass by"? Keith's kool kooky Kraftwerky keyboards also give this a nice Mars-era throwback sound (like the Phil and Ned stuff) during the slow sizzle period before that oooooh god-yes ending.