headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

4
Candyman
June 3, 1976
Paramount Theatre

Keith and Donna on this are just wonderful. Strong version all around, but Keith's fillis are just outta sight.
8
Me and My Uncle
Dec. 31, 1971
Winterland Arena

Intensity encapsulated in the middle of a TOO jam outta this world. Here's as good an example of the cowboy psychedelicore Winter '71 as you can find.
3
Me and Bobby McGee
Dec. 15, 1971
Hill Auditorium

A bit faster and carried along with a strong backbeat from Mr. K. makes this one special. Perfect ensemble singing arrangement too.
20
Run Run Rudolph
Dec. 14, 1971
Hill Auditorium

Pigpen, Chuck Berry, Santa Claus, because fuck yeah, that's why.
10
Not Fade Away
Dec. 10, 1971
Fox Theatre

Dec '71 NFA-GDTRFB-NFAs are all powerful statements of the band's essential unity. I love how China Cat peaks out atcha during the jams.
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Comments

The Other One
Oct. 21, 1972
Vanderbilt University

Phil nukes the world and fries out the PA or something. In any case, the transition to Dew will blow your mind. Listening in sequence, they hadn't melted down into kozmik kayoss for a while. Lots of fun for those of us who love their tweaky weirdness at its tweakiest and weirdest.
He's Gone
Oct. 21, 1972
Vanderbilt University

Listen to Oct. 19 and 21 back to back: Seems like they were working on something new to the jam before going into the outro. The 19th is cool as it goes into a TOO reprise, but I find this one more coherent and perfect.
He's Gone
Oct. 19, 1972
Fox Theatre

Instead of drifting into silence, or back into Truckin' during the outro, this one ramps up and ramps up to a short TOO reprise. Listen to the crow go bananas after. They knew.
The Other One
Oct. 19, 1972
Fox Theatre

This one sneaks right up on you. It's seems all smooth-sailing, but then suddenly grabs you by the scruff of the neck and flings you across the room. Under right conditions, could be dangerous....
Big River
Oct. 19, 1972
Fox Theatre

I'll admit that I normally give Big River half the attention I give other songs, but this one has something different. It shuffles and struts, with a cool Western Swing vibe, which continues right into the FoTD that follows. It seems like they were in a mellow, swinging mood that at times almost sounds like they were a bit nostalgic for the 1970 sound.
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