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Carrion_Crow

Stealth Head

+49652


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

The Other One
Oct. 21, 1972
Vanderbilt University

Phil nukes the world and fries out the PA or something. In any case, the transition to Dew will blow your mind. Listening in sequence, they hadn't melted down into kozmik kayoss for a while. Lots of fun for those of us who love their tweaky weirdness at its tweakiest and weirdest.
He's Gone
Oct. 21, 1972
Vanderbilt University

Listen to Oct. 19 and 21 back to back: Seems like they were working on something new to the jam before going into the outro. The 19th is cool as it goes into a TOO reprise, but I find this one more coherent and perfect.
He's Gone
Oct. 19, 1972
Fox Theatre

Instead of drifting into silence, or back into Truckin' during the outro, this one ramps up and ramps up to a short TOO reprise. Listen to the crow go bananas after. They knew.
The Other One
Oct. 19, 1972
Fox Theatre

This one sneaks right up on you. It's seems all smooth-sailing, but then suddenly grabs you by the scruff of the neck and flings you across the room. Under right conditions, could be dangerous....
Big River
Oct. 19, 1972
Fox Theatre

I'll admit that I normally give Big River half the attention I give other songs, but this one has something different. It shuffles and struts, with a cool Western Swing vibe, which continues right into the FoTD that follows. It seems like they were in a mellow, swinging mood that at times almost sounds like they were a bit nostalgic for the 1970 sound.
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