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Carrion_Crow

Stealth Head

+49667


Submissions

8
High Time
March 7, 1970
Civic Auditorium

Understated and subtle. This is a mysterious beauty. Not for the AUDphobic, it has some sound/tape issues.
3
King Bee
March 1, 1970
Fillmore East

Don't overlook it b/c of a few tape quality issues. This is fundamental '70 Dead and Pig was in fine form.
6
Cumberland Blues
March 1, 1970
Fillmore East

Relentlessly pulsing at a full shitkickin' clip. A few tape speed issues, but whatta time. Excellent.
6
The Other One
March 1, 1970
Fillmore East

High heat, though the levels are set really low and it sounds muffled. Sounds like Pig was playing a Hammond B3 that gives it the extra horsepower.
2
Turn On Your Love Light
Feb. 27, 1970
Family Dog at the Great Highway

The rap gets good and weird, and there's some funny doo-wop backup vocals around minute 17.
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Comments

The Other One
Oct. 21, 1972
Vanderbilt University

Phil nukes the world and fries out the PA or something. In any case, the transition to Dew will blow your mind. Listening in sequence, they hadn't melted down into kozmik kayoss for a while. Lots of fun for those of us who love their tweaky weirdness at its tweakiest and weirdest.
He's Gone
Oct. 21, 1972
Vanderbilt University

Listen to Oct. 19 and 21 back to back: Seems like they were working on something new to the jam before going into the outro. The 19th is cool as it goes into a TOO reprise, but I find this one more coherent and perfect.
He's Gone
Oct. 19, 1972
Fox Theatre

Instead of drifting into silence, or back into Truckin' during the outro, this one ramps up and ramps up to a short TOO reprise. Listen to the crow go bananas after. They knew.
The Other One
Oct. 19, 1972
Fox Theatre

This one sneaks right up on you. It's seems all smooth-sailing, but then suddenly grabs you by the scruff of the neck and flings you across the room. Under right conditions, could be dangerous....
Big River
Oct. 19, 1972
Fox Theatre

I'll admit that I normally give Big River half the attention I give other songs, but this one has something different. It shuffles and struts, with a cool Western Swing vibe, which continues right into the FoTD that follows. It seems like they were in a mellow, swinging mood that at times almost sounds like they were a bit nostalgic for the 1970 sound.
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