headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

17
Good Lovin'
Dec. 31, 1978
Winterland Arena

Blissful dancealong. As clear a statement of what the good times feeling of the later Donna era could sound like. Nice times.
17
Drums
Dec. 31, 1978
Winterland Arena

19 minutes, man it gets weird: whistles, gamelans, melodica solo, bird calls, kazoos, explosions: was every one in on the jam? Anyone remember?
6
Playin' In The Band
Oct. 23, 1971
Easttown Theatre

Adrenaline bursting hard driver. Exciting. Jerry at 3:00 solos in all 720 degrees, just propulsive. Give her a spin.
21
Not Fade Away
May 3, 1972
Olympia Theater

Flawless trance-inducing NFA with a perfect transition into GDTRFB. Note for note perfect show.
10
Sing Me Back Home
Sept. 10, 1972
Hollywood Palladium

Perfect. May have the best vocal harmonies of all of them. Not here because of low-level boards? Try headphones, heads.
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Comments

Me and My Uncle
Dec. 16, 1986
Oakland-Alameda County Coliseum

Uh, Donny, you do know they'd been on an involuntary hiatus since July right?
Black Throated Wind
Oct. 19, 1972
Fox Theatre

Uh... yeah, but the whole band drops out for a spell. Bobby rescues it, that's true, and they all come charging back for the climax, but this one probably caused some eye-rolling by both band and roadies.
Dark Star
Oct. 18, 1972
Fox Theater

"Lesh takes over" is an understatement. How about, "Lesh destroys the universe with hammering thunder, unleashing Ragnarök to the ruination of the Storm Giants" or something like that. :^)
Sugaree
May 3, 1972
Olympia Theater

Hey Cuse, welcome back man! Where you been?! This is, you're right on, a definitive kickass version.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Oh yes, this is more interesting, tighter, and exciting than the Cornell one. There's too much said about this everywhere, but yep, just like with Veneta, there's a confirmation bias effect that over-values Cornell relative to the other shows and versions that could be more highly regarded. The first solo here, the punchiness of the drums, the Bobby-doin'-Bobby thing, and Donna, yes Donna, all make this one a great great version.
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