headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

10
Lazy Lightnin' -> Supplication
June 10, 1976
Boston Music Hall

I suppose everyone knows the one the night before, but this one is tighter & more overwhelming in that all-encompassing 7/4 mindmelt way.
10
The Music Never Stopped
June 10, 1976
Boston Music Hall

Airtight version with perfect orchestration. Especially sweet vocals with Donna Jean at her best. Never quite lifts off in the jam though.
3
Dancin' in the Streets
June 4, 1976
Paramount Theatre

How has this whole show been overlooked? I know '76 is generally undervalued, even by '70s fans, but c'mon, this is smokin' hot stuff.
2
Stella Blue
June 4, 1976
Paramount Theatre

Gorgeous vocals and a beautiful ensemble feel. This show is seriously underappreciated.
2
Let It Grow
June 4, 1976
Paramount Theatre

Fires off like a rocket. Souped up and accelerated. Is this the first LiG without the WRS to introduce it? It's a speed demon top notch version.
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Comments

Me and My Uncle
Dec. 16, 1986
Oakland-Alameda County Coliseum

Uh, Donny, you do know they'd been on an involuntary hiatus since July right?
Black Throated Wind
Oct. 19, 1972
Fox Theatre

Uh... yeah, but the whole band drops out for a spell. Bobby rescues it, that's true, and they all come charging back for the climax, but this one probably caused some eye-rolling by both band and roadies.
Dark Star
Oct. 18, 1972
Fox Theater

"Lesh takes over" is an understatement. How about, "Lesh destroys the universe with hammering thunder, unleashing Ragnarök to the ruination of the Storm Giants" or something like that. :^)
Sugaree
May 3, 1972
Olympia Theater

Hey Cuse, welcome back man! Where you been?! This is, you're right on, a definitive kickass version.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Oh yes, this is more interesting, tighter, and exciting than the Cornell one. There's too much said about this everywhere, but yep, just like with Veneta, there's a confirmation bias effect that over-values Cornell relative to the other shows and versions that could be more highly regarded. The first solo here, the punchiness of the drums, the Bobby-doin'-Bobby thing, and Donna, yes Donna, all make this one a great great version.
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