headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

1
Not Fade Away
July 25, 1972
Paramount Theater

For a show that sometimes lacks a little energy in places, they end it with quite a bang. This outro is exceptionally good.
1
Truckin'
July 22, 1972
Paramount Northwest Theatre

Slow star builds up huge head of steam and a slamin' jam. Ends funny, unsure whether >He's Gone or something else. Nice version, overlooked show.
1
Mississippi Halfstep Uptown Toodeloo
July 22, 1972
Paramount Northwest Theatre

Not too polished yet, but full of that new-song exhuberence. Great key work from Keith, and a funforall Reeeee-o Grand outro.
7
Playin' In The Band
July 22, 1972
Paramount Northwest Theatre

A thing of (overlooked) beauty. Tight, muscular and coherent. It never drags. A perfect '72 Playin' here.
14
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

You've never heard it like this: Rehearsal tape, listed as "Distorto". Track 2. An absolute treasure. Hard-freaking-core. No words, just rock.
show more submissions

Comments

Me and My Uncle
Dec. 16, 1986
Oakland-Alameda County Coliseum

Uh, Donny, you do know they'd been on an involuntary hiatus since July right?
Black Throated Wind
Oct. 19, 1972
Fox Theatre

Uh... yeah, but the whole band drops out for a spell. Bobby rescues it, that's true, and they all come charging back for the climax, but this one probably caused some eye-rolling by both band and roadies.
Dark Star
Oct. 18, 1972
Fox Theater

"Lesh takes over" is an understatement. How about, "Lesh destroys the universe with hammering thunder, unleashing Ragnarök to the ruination of the Storm Giants" or something like that. :^)
Sugaree
May 3, 1972
Olympia Theater

Hey Cuse, welcome back man! Where you been?! This is, you're right on, a definitive kickass version.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Oh yes, this is more interesting, tighter, and exciting than the Cornell one. There's too much said about this everywhere, but yep, just like with Veneta, there's a confirmation bias effect that over-values Cornell relative to the other shows and versions that could be more highly regarded. The first solo here, the punchiness of the drums, the Bobby-doin'-Bobby thing, and Donna, yes Donna, all make this one a great great version.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)