headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

4
Greatest Story Ever Told
March 27, 1972
Academy of Music

The new SBD's are crystal clear, with everyone audible. Whoever that Billy guy is could sure play some goddamned drums. He's solid gold on this one.
4
Black Throated Wind
March 27, 1972
Academy of Music

Charged up and triumphant. The whole week of shows before Europe is killer. Thanks go to C. Miller for the great archive versions.
4
Playin' In The Band
March 25, 1972
Academy of Music

Key moment in transforming PITB into a cosmic monster. 9.5 minutes of gooey goodness here. C.Miller's version is the best. Dig in boys.
8
Not Fade Away
March 23, 1972
Academy of Music

The outro might be the three most intensely energetic minutes of GD music ever. The first part rocks too. Why not here yet? This show is a goldmine.
6
Me and Bobby McGee
March 23, 1972
Academy of Music

Now I know a lot of you don't dig this song, but goddamn they pour it on for this one. Great Jerry filagree backing the passionate vox. Listen to the
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Comments

Me and My Uncle
Dec. 16, 1986
Oakland-Alameda County Coliseum

Uh, Donny, you do know they'd been on an involuntary hiatus since July right?
Black Throated Wind
Oct. 19, 1972
Fox Theatre

Uh... yeah, but the whole band drops out for a spell. Bobby rescues it, that's true, and they all come charging back for the climax, but this one probably caused some eye-rolling by both band and roadies.
Dark Star
Oct. 18, 1972
Fox Theater

"Lesh takes over" is an understatement. How about, "Lesh destroys the universe with hammering thunder, unleashing Ragnarök to the ruination of the Storm Giants" or something like that. :^)
Sugaree
May 3, 1972
Olympia Theater

Hey Cuse, welcome back man! Where you been?! This is, you're right on, a definitive kickass version.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Oh yes, this is more interesting, tighter, and exciting than the Cornell one. There's too much said about this everywhere, but yep, just like with Veneta, there's a confirmation bias effect that over-values Cornell relative to the other shows and versions that could be more highly regarded. The first solo here, the punchiness of the drums, the Bobby-doin'-Bobby thing, and Donna, yes Donna, all make this one a great great version.
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