headyversion

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Carrion_Crow

Stealth Head

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Submissions

10
Deep Elem Blues
May 1, 1970
Alfred College

Sweet opener. This is about where in the year the immortal Country Dead takes off: 6 hour shows, three sets, NRPS, what a time. This one's a beauty.
4
St. Stephen
April 24, 1970
Mammoth Gardens

The last DS>SS>11 ever, and doesn't disappoint. Sounds like they still had TC's celeste, even tho he'd already left. Perfect cannon shot, tight jam.
4
Friend of the Devil
April 24, 1970
Mammoth Gardens

Deep levels of intimacy on the AUDs here, and Jer's voice and playing are just spectacular. Brilliant fresh playing from a historic transitional era.
2
Turn On Your Love Light
April 11, 1970
Fillmore West

Incomplete show, but a perfect artifact preserves the LL in all its sweaty greasy glory. Pig's on form, the band is in swampfunk mode. All good here.
2
Turn On Your Love Light
April 9, 1970
Fillmore West

Pig asks some couple to "do something nasty" and to come up on stage, then the band almost soulds like they're starting Purple Haze. Wild times.
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Comments

Me and My Uncle
Dec. 16, 1986
Oakland-Alameda County Coliseum

Uh, Donny, you do know they'd been on an involuntary hiatus since July right?
Black Throated Wind
Oct. 19, 1972
Fox Theatre

Uh... yeah, but the whole band drops out for a spell. Bobby rescues it, that's true, and they all come charging back for the climax, but this one probably caused some eye-rolling by both band and roadies.
Dark Star
Oct. 18, 1972
Fox Theater

"Lesh takes over" is an understatement. How about, "Lesh destroys the universe with hammering thunder, unleashing Ragnarök to the ruination of the Storm Giants" or something like that. :^)
Sugaree
May 3, 1972
Olympia Theater

Hey Cuse, welcome back man! Where you been?! This is, you're right on, a definitive kickass version.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Oh yes, this is more interesting, tighter, and exciting than the Cornell one. There's too much said about this everywhere, but yep, just like with Veneta, there's a confirmation bias effect that over-values Cornell relative to the other shows and versions that could be more highly regarded. The first solo here, the punchiness of the drums, the Bobby-doin'-Bobby thing, and Donna, yes Donna, all make this one a great great version.
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