headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

8
Stella Blue
Sept. 12, 1973
William and Mary College Hall

Beautiful comedown after an epic Eyes. Forgotten show or not, this is one of the best 2nd sets of the year - and that says a hell of a lot.
6
Let It Grow
Sept. 12, 1973
William and Mary College Hall

Unique Dead with the whole horn section. In places sounds like Nigerian Juju pop from the same era (King Sunny Adé or Fela's big band). Very cool.
3
Loose Lucy
Sept. 12, 1973
William and Mary College Hall

Sweaty funky and a little bit loose - just like the lady in the song.
8
Bird Song
Sept. 12, 1973
William and Mary College Hall

Extremely beautiful version with some AUD problems. Sparkling melodicism out of the perfect collective mind. A forgotten diamond.
4
Ramble On Rose
Sept. 12, 1973
William and Mary College Hall

Impassioned version like few others, with both Jer and Keith firing on all cylinders. Terrible AUD probs keep this show unknown, but worth a listen.
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Comments

Morning Dew
Oct. 18, 1972
Fox Theater

Want to know what it means to mean it? Jerry means it here. The vocals and solo are heartfelt and full. Great reference to Bill Evans here, merryjerry, spot on. As part of the Playin' suite to start all suites, this is just glorious.
Morning Dew
Oct. 18, 1972
Fox Theater

Want to know what it means to mean it? Jerry means it here. The vocals and solo are heartfelt and full. Great reference to Bill Evans here, merryjerry, spot on. As part of the Playin' suite to start all suites, this is just glorious.
Big Railroad Blues
Oct. 18, 1972
Fox Theater

This one is furthur, faster, and hotter than others of the time. Goes up and up and up. Jerry breaks into falsetto at one point.
Bird Song
Oct. 18, 1972
Fox Theater

Subtle and soft by comparison to others from Fall '72, but full of dreamy drifting visions and mellow soaring.
Black Peter
Oct. 17, 1972
Fox Theatre

In the right headspace, and when the band was on like it was here, Black Peter live was an extremely powerful collective experience of death and dying. I've always felt it to be one of their most psychedelic songs for this reason. If you've ever gone deep into its trance and felt yourself spreading thinner and thinner until your very molecules could no longer really be called "yours" anymore, only to find yourself reassembled and joyous once they pulled you back from the underworld and plopped you back into your body, then you'll understand: The crowd got taken for a long deep ride here.
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