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Carrion_Crow
Stealth Head
+49652
Submissions
3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom
Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom
Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East
High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East
Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway
Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments
Brown Eyed Women
Oct. 2, 1972
Springfield Civic Center
Bobby's really clear on the Miller mix, and it's excellent. Too many shows from '72 have him way way too far back in the sound. This is closer to what I remember it being like live.
Bird Song
Oct. 2, 1972
Springfield Civic Center
Get some headphones for this, and marvel at just what Keith was capable of when he was at his best. This whole set is packed with underappreciated gems like this one: The band is in total mind-meld, while Keith is just spectacular throughout.
China Cat Sunflower -> I Know You Rider
Sept. 30, 1972
American University
Transition to Rider rev's up and is just about to overheat when they pull it way back and start singing quite sweetly. Nice touch - but an awful cut in my version.
Not Fade Away
Sept. 28, 1972
Stanley Theatre
The first NFA has its moments and is worth a vote, but stick around for the lickety-split GDTRFB (seems like it's accelerating!) and Jerry lets you know just how much water he's got left in the well. The outro then picks up the energy and they close out on a blistering jam. Great stuff.
Wharf Rat
Sept. 28, 1972
Stanley Theatre
A real beaut with a perfect fade-out, ending a great 2nd hour-long jam.
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