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Carrion_Crow

Stealth Head

+49667


Submissions

2
I've Been All Around This World
July 11, 1970
Fillmore East

Or maybe the 12th. Who cares. It's simply beautiful.
2
Not Fade Away
July 10, 1970
Fillmore East

Totally free. There are Mountain Jam themes, met with Stephen Jams, then Bid You Goodnight themes. Seems they couldn't get enough. Good stuff.
3
China Cat Sunflower -> I Know You Rider
July 10, 1970
Fillmore East

The CC and transition soar, and part of an Alligator>D>TOO>Attisc>TOO>C.Ch.>Good Lovin'>D.>China>Rider>Good Lovin' über set. Rider is cut, tho.
2
Cosmic Charlie
July 10, 1970
Fillmore East

The single best transition into Cosmic Charlie (from TOO) that I know of. From an era when they still meant it as a psychedelic anthem... Love this.
2
The Other One
July 10, 1970
Fillmore East

Forgotten show with a high-voltage and energetic jam, intersected with a sweet Attics. Great show, low quality AUD.
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Comments

Brown Eyed Women
Oct. 2, 1972
Springfield Civic Center

Bobby's really clear on the Miller mix, and it's excellent. Too many shows from '72 have him way way too far back in the sound. This is closer to what I remember it being like live.
Bird Song
Oct. 2, 1972
Springfield Civic Center

Get some headphones for this, and marvel at just what Keith was capable of when he was at his best. This whole set is packed with underappreciated gems like this one: The band is in total mind-meld, while Keith is just spectacular throughout.
China Cat Sunflower -> I Know You Rider
Sept. 30, 1972
American University

Transition to Rider rev's up and is just about to overheat when they pull it way back and start singing quite sweetly. Nice touch - but an awful cut in my version.
Not Fade Away
Sept. 28, 1972
Stanley Theatre

The first NFA has its moments and is worth a vote, but stick around for the lickety-split GDTRFB (seems like it's accelerating!) and Jerry lets you know just how much water he's got left in the well. The outro then picks up the energy and they close out on a blistering jam. Great stuff.
Wharf Rat
Sept. 28, 1972
Stanley Theatre

A real beaut with a perfect fade-out, ending a great 2nd hour-long jam.
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