headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

4
Not Fade Away
April 7, 1971
Boston Music Hall

The jam before is listed as a controlled mind-altering substance in 92 countries, but its cut on the archive is the cruelest thing I know.
3
Casey Jones
April 7, 1971
Boston Music Hall

Intense, driving energy. Phil belts out the chorus like his life depends on it.
3
China Cat Sunflower -> I Know You Rider
April 7, 1971
Boston Music Hall

CCS is supremely tight, with a bit of that '69 magic sound to it, and IKYR rocks. Followed by a Stephen, so maybe some nostalgia? Sounds great.
2
Hard to Handle
April 4, 1971
Manhattan Center

Great 'Bobby segment', as his solo has come to be known. Whole show overshadowed by the outrageous monster the next day, but still great fun.
3
Sugar Magnolia
March 24, 1971
Winterland Arena

Actually one god-dammned hard rockin' blast-off: Uptempo and hardcore.
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Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.
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