headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49712


Submissions

4
Let It Grow
July 25, 1974
International Amphitheater

Tight and hot. Something in the vocals at this show went just perfect too, adding to the intensity.
6
Loser
July 25, 1974
International Amphitheater

Greatness in this one: Powerful ensemble vocals.
6
Space
July 21, 1974
Hollywood Bowl

Phil & Ned: By far the most compact and Space-like. Gargantuan Martian landscapes and insect-shaped UFOs. Sounds like Frippertronics. Heavy stuff.
4
Around and Around
July 21, 1974
Hollywood Bowl

Fully rockin' blowout to close a lovely summertime 1st set: Not my favorite song, but this one really kicks.
20
Let It Grow
July 19, 1974
Selland Arena

Mega-monster just dives into complete madness with a Phil solo for the ages and wild tweaking from all sides. Much fun.
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Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.
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