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Carrion_Crow

Stealth Head

+49667


Submissions

5
Brown Eyed Women
Sept. 12, 1973
William and Mary College Hall

Sweet and melodious. Jer sings it from the heart and the band is really tight.
27
Dark Star
Sept. 11, 1973
William and Mary College Hall

Moody, mellow, then into an explosive but still sparse jam (all before the verse). Colossal Phil then blows your mind and speakers. Excellent.
3
Big River
Sept. 11, 1973
William and Mary College Hall

Very uptempo and fun with some great solos. Good energy.
10
Let It Grow
Sept. 11, 1973
William and Mary College Hall

Surpirse not to see this here yet. Martin Fierro guests on sax and the short-lived horn section sounds great. A treat with historical importance.
12
Playin' In The Band
Sept. 11, 1973
William and Mary College Hall

Ending a first set that seems more '76 than '73 (slow grooves), this one finally gets off the leash and into a great jam.

Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.