headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

9
Sugar Magnolia
Sept. 7, 1973
Nassau Coliseum

Yeah, Sugar Mag okay... but the Sunshine Daydream is tops. Just kills me each time I hear it.
10
Truckin'
Sept. 7, 1973
Nassau Coliseum

Top form from a great 2nd set then into a ballsy TOO jam (no lyrics) and then one of the best Eyes of all time.
19
Let It Grow
Sept. 7, 1973
Nassau Coliseum

First-ever performance. Mid-way they let it grow into experimental bliss. A must-have for LIG fans.
24
Playin' In The Band
Sept. 7, 1973
Nassau Coliseum

Intense jaming and crystal clear guitar work, plus Billy's hard driving makes it a barn-burner. Gets better each listen.
29
Here Comes Sunshine
Sept. 7, 1973
Nassau Coliseum

Really smooth and mellow groove 2nd set opener from a solid show after a month in the studio. Hard to see why not here yet.
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Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.
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