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Carrion_Crow

Stealth Head

+49667


Submissions

11
Candyman
Feb. 18, 1971
Capitol Theater

Beautiful harmonies and country soul. Brilliant and historically important show.
10
Playin' In The Band
Feb. 18, 1971
Capitol Theater

First performance ever and it's slower, but beautiful and raw. Bobby sings like a country warbler typical of the '71s. Historically interesting.
15
Greatest Story Ever Told
Feb. 18, 1971
Capitol Theater

Primordial version, first time played, introduced as "Mickey wants to call this one 'The Pump Man' for reasons of his own." Raw and unlike any other.
19
Loser
Feb. 18, 1971
Capitol Theater

First Loser ever and the last Mickey show before his break. Brilliant version, hot energetic vocals and that good '71 sound.
15
Hurts Me Too
Feb. 18, 1971
Capitol Theater

Dripping with deep-soul. Pigpen's voice at its best. Sounds like honey.

Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.