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Carrion_Crow

Stealth Head

+49667


Submissions

17
Eyes Of The World
March 19, 1973
Nassau Coliseum

Tight and right, with beautiful jamming and solid groupthink throughout. Headphones only for archive version: HELP US ON THIS ONE CHARLIE MILLER!!!
10
Playin' In The Band
March 19, 1973
Nassau Coliseum

Headphones only (sound problems), but so worth it - liquid crystal lightning Jerry jaming at it's best. Deserves many listens.
2
Tennessee Jed
March 19, 1973
Nassau Coliseum

Archive copy sounds like its recorded through a tin can, but excellent groove, jam. For headphones only.
6
China Cat Sunflower -> I Know You Rider
March 19, 1973
Nassau Coliseum

High energy! Please oh please where are the better sound quality versions? Where are the boards?
17
Morning Dew
March 16, 1973
Nassau Coliseum

Massive and powerful. Jerry and Keith are just brilliant. OK, that all from me on this great show.

Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.