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Carrion_Crow

Stealth Head

+49667


Submissions

3
Mississippi Halfstep Uptown Toodeloo
Oct. 30, 1972
Ford Auditorium

A solid, sweet rocker. Seems like MHUT had matured in '72 by this point to the stand-alone anchor that it remained until the end.
2
Candyman
Oct. 30, 1972
Ford Auditorium

The total package, with everything this song was meant to have: Sadness, menace, self-consciousness, braggadocio, regret. A beautiful performance.
3
Truckin'
Oct. 30, 1972
Ford Auditorium

Hot steam. Starting around 5:30 Jerry blisters the world with fire.
3
Box of Rain
Oct. 30, 1972
Ford Auditorium

Levels all a bit off, AUD a bit murky, but damned if this isn't the most glorious ensemble yowp this song can be. Joyous and loving: It's all there.
5
China Cat Sunflower -> I Know You Rider
Oct. 30, 1972
Ford Auditorium

Brilliant, crisp ideas and tight ensemble playing on a warm Bear AUD. Just exactly perfect.

Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.