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Carrion_Crow

Stealth Head

+49667


Submissions

4
Alligator
July 10, 1970
Fillmore East

One of the lasts, and they're undoubtedly still jamming the shit out of it. Listen to them come out of drums and the head sez "pray it's not NFA" !!!
4
Easy Wind
July 10, 1970
Fillmore East

Pressure cooker here, just bursting with energy. Pig sounds great, Jerry goes full throttle. AUD quality B only, but worth every second.
2
China Cat Sunflower -> I Know You Rider
June 13, 1970
Red Vest

Souped up high voltage versions here. The CC has that rippin' '69 energy and the vocals throughout nail it.
6
Playin' In The Band
June 7, 1970
Fillmore West

The Main Ten. Primordial Playin' groove. This is the deep Dead here. Powerful.
4
Not Fade Away
June 6, 1970
Fillmore West

Continuing on 48 minutes of the immortal "kitchen sink" jam, this one holds its own to any other of the era.

Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.