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Carrion_Crow

Stealth Head

+49687


Submissions

9
Not Fade Away
July 17, 1976
Orpheum Theatre

Smoldering hot and long jam capping a great 2nd set. The kind of jam you want to go on forever.
2
Beat it on Down The Line
Oct. 21, 1971
Auditorium Theatre

Listen in and hear exactly where Jerry's fingers achieve terminal velocity. Keith's first shows have manic wild energy, lots of fun.
7
The Other One
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Hard charging power here in 24 minutes of explosive dark matter. It's a massive oversight that this show hasn't been more widely appreciated.
7
Brokedown Palace
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Stunning. Beautiful harmonies, strong pulse, Keith roars in like they know in advance what he brings. Show needs more love.
2
Playin' In The Band
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Massive transitional masterpiece. 1st with Keith, and he's the missing ingredient that tips PiTB over the edge into its full glory. Great mix.

Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.