headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

5
Bertha
July 31, 1971
Yale Bowl, Yale University

Revs up the rowdy crowd, tight and powerful 2nd set opener in a brilliant show. The AUD is a bit rough in places, but gives it great atmosphere. Hot.
8
Mister Charlie
July 31, 1971
Yale Bowl, Yale University

Ignore the audiophobes and get into it. Pig and Jerry both totally on. The band is exploding with energy. Overlooked show, and Dave knew it.
4
Black Peter
June 21, 1971
Chateau d'Herouville

Strong and powerful, like all the best versions of BP. Deep emotions on great pulse to this one.
3
Me and My Uncle
June 21, 1971
Chateau d'Herouville

Great sound. Some tuning/monitor problems earlier but by this they've worked it out. Nice clean version in what turns out to be a killer show.
2
Hard to Handle
May 29, 1971
Winterland Arena

Don't pass this by because of the AUD issues. Stands up to all the top H2Hs here. The jam and energy are outrageous.
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Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.
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