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Carrion_Crow

Stealth Head

+49652


Submissions

10
Black Throated Wind
Dec. 6, 1973
Public Hall

Perfectly executed arc of mounting emotions in this great version. The band is so tight throughout this show.
16
Uncle John's Band
Dec. 1, 1973
Music Hall

Righteous beauty from probably the most seriously overlooked show from '73 (surrounded by the big beasts in Boston) inside a Playin' just soooo good.
14
Playin' In The Band
Dec. 1, 1973
Music Hall

Outrageous oversight that this crystal clear beauty isn't here. Bobby's vocals, brilliant ensemble playing, glorious UJB in the sandwich. DIG IT!!!
8
They Love Each Other
Dec. 1, 1973
Music Hall

Great version, yeah its Boston '73. But probably the best Stage Banter ever: Check out 09:49 explaining why they aren't going to play St. Stephen.
5
Loser
Nov. 23, 1973
County Coliseum

Nov. '73 and there isn't a bad show in it. This Loser has something special in its tightness and the tempo (doesn't drag). Damn they were good.

Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.