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Carrion_Crow

Stealth Head

+49667


Submissions

11
Let It Grow
June 3, 1976
Paramount Theatre

How is this not here?!? Shoots out of cannon at light speed (after a slooooooow '76 Wharf Rat).
6
China Doll
May 13, 1973
Iowa State Fairgrounds

China Doll always helped bring us back down. Listen to this one coming after 62+ minutes of high-powered jamming and fully comprehend its beauty.
2
Brown Eyed Women
May 13, 1973
Iowa State Fairgrounds

A beauty. Jer's vocals are spot on. Gears up for a mega-epic 2nd half of the set. Listen through the hiss on the archive and enjoy.
18
Playin' In The Band
May 13, 1973
Iowa State Fairgrounds

28 minutes of groove. Playin' at its finest - but the hiss on the archive version is bad. C. Miller cleaned up part of this show - keep going sir!
11
Here Comes Sunshine
May 13, 1973
Iowa State Fairgrounds

Never a bad '73 version: Listen through the hiss (headphones, folks) for a diamond in the rough. Apparently a rainbow emerged during it, really.

Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.