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Carrion_Crow

Stealth Head

+49652


Submissions

10
Deep Elem Blues
May 1, 1970
Alfred College

Sweet opener. This is about where in the year the immortal Country Dead takes off: 6 hour shows, three sets, NRPS, what a time. This one's a beauty.
4
St. Stephen
April 24, 1970
Mammoth Gardens

The last DS>SS>11 ever, and doesn't disappoint. Sounds like they still had TC's celeste, even tho he'd already left. Perfect cannon shot, tight jam.
4
Friend of the Devil
April 24, 1970
Mammoth Gardens

Deep levels of intimacy on the AUDs here, and Jer's voice and playing are just spectacular. Brilliant fresh playing from a historic transitional era.
2
Turn On Your Love Light
April 11, 1970
Fillmore West

Incomplete show, but a perfect artifact preserves the LL in all its sweaty greasy glory. Pig's on form, the band is in swampfunk mode. All good here.
2
Turn On Your Love Light
April 9, 1970
Fillmore West

Pig asks some couple to "do something nasty" and to come up on stage, then the band almost soulds like they're starting Purple Haze. Wild times.

Comments

Scarlet Begonias -> Fire On The Mountain
April 27, 1977
Capitol Theatre

'77 Scarlet>Fire, and the standards are soooo high. This one has a little looseness to the joints and Jerry flubs but recovers the lyrics before moving on. It's short and sweet, but doesn't really lift off during the second solo section. It rather vamps and spreads out in a spacey way before Jerry signals he's back and fully ready to burn down the mountain. I wouldn't call it the best one of the year... but what a year to choose from and I'm picking at nits.
Estimated Prophet
April 27, 1977
Capitol Theatre

Showcases the weird freakiness hidden in plain sight amongst the best Estimateds: Around five-and-a-half minutes in Keith hits you with smearing swooshes of sound that will give you flashbacks, accompanying Jerry throughout a smoldering solo.
The Music Never Stopped
April 27, 1977
Capitol Theatre

Starts a little loose, but tightens right up and becomes quite snappy, hurt only by the limited mix quality of the radio broadcast. Bobby and Donna are sounding good, and by Jerry's big solo the band is so tight that he just hits terminal velocity. The outro shreds so hard that we can still hear the heads grinding their jaws and trying to hold on to their eyeballs 47 whole years later.
Playin' In The Band
Nov. 9, 1973
Winterland Arena

cgarces: I'm no writer either, but I recall a period when these Winterland '73 shows were unavailable on the Archive. No access = No votes. It may be just as simple as that. On this version and recording: Such a pleasure to hear Bobby clearly, he's all but erased in too many shows from the era and here you hear just how much he feeds the jam, lifting and twisting up everything behind Jerry like the tightly coiled spring that makes the watch go. Phil's 100% dialed in here too, and Billy is lucid, clean, precise, and melodic, his soloing matches the big man's point-for-point. This is A+ top shelf PITB and its a pleasure whether you're listening for the first time or the 500th.
Here Comes Sunshine
Nov. 9, 1973
Winterland Arena

This is really fun and beautiful. Bobby is really audible in the left channel, which is relatively rare for the era, but he pops out during a couple of patches. I think the last time I went through '73 show by show these beauties weren't available (maybe the box was just coming out?) so goddamn, but it seems like I don't know them at all. Looks like I've got my listening sorted out for the next couple of days. It's like finding buried treasure here folks, imagine my smile.