headyversion

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Carrion_Crow

Stealth Head

+49682


Submissions

4
Candyman
June 3, 1976
Paramount Theatre

Keith and Donna on this are just wonderful. Strong version all around, but Keith's fillis are just outta sight.
8
Me and My Uncle
Dec. 31, 1971
Winterland Arena

Intensity encapsulated in the middle of a TOO jam outta this world. Here's as good an example of the cowboy psychedelicore Winter '71 as you can find.
3
Me and Bobby McGee
Dec. 15, 1971
Hill Auditorium

A bit faster and carried along with a strong backbeat from Mr. K. makes this one special. Perfect ensemble singing arrangement too.
20
Run Run Rudolph
Dec. 14, 1971
Hill Auditorium

Pigpen, Chuck Berry, Santa Claus, because fuck yeah, that's why.
10
Not Fade Away
Dec. 10, 1971
Fox Theatre

Dec '71 NFA-GDTRFB-NFAs are all powerful statements of the band's essential unity. I love how China Cat peaks out atcha during the jams.
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Comments

Ramble On Rose
May 5, 1991
Cal Expo

Hey crackstraw! Am I trippin' or did our whole conversation disappear? Didn't copy your list of favorites from '79-'82. Bummer. Any chance to repost it?
Me and Bobby McGee
April 5, 1971
Manhattan Center

Glad you dig it brother. There are certain songs that don't do it for me - hell, whole years that don't turn me on - but always happy to have a head flip me over on something new, help me hear-it-as-it-was, and discover something new in the big story that was (is) the finest band in the land.
Me and Bobby McGee
April 2, 1973
Boston Garden

Yo cgarces: I love this song, but kudos to you for finding the good in it on select versions. Check out April 5, 1971 for a really special gem, complete with Jerry yodeling harmonies on the out chorus.
Dark Star
Aug. 1, 1973
Roosevelt Stadium

Hey Dude420, so glad you made it over here! I just recommended this one to you over on another show where you mentioned whale calls. Dju catch that or was this cozmik coincidence?!?
Playin' In The Band
April 2, 1973
Boston Garden

Still with Grendel here. Of course '73 is superbly generous when it comes to Playin'. But from the start the tempo, crispness, hard-biting Bobby injects and purposeful driven quality to this are top notch. And Billy? He's an orchestra onto himself in this. Top five for '73? Maybe, maybe not, but who cares? On its own, or next to 200 others from less energetic shows, this one (and the HCS and Eyes from the second set) will send you over the blissful edge just oh-so nicely.
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