headyversion

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Carrion_Crow

Stealth Head

+49697


Submissions

17
Good Lovin'
Dec. 31, 1978
Winterland Arena

Blissful dancealong. As clear a statement of what the good times feeling of the later Donna era could sound like. Nice times.
17
Drums
Dec. 31, 1978
Winterland Arena

19 minutes, man it gets weird: whistles, gamelans, melodica solo, bird calls, kazoos, explosions: was every one in on the jam? Anyone remember?
6
Playin' In The Band
Oct. 23, 1971
Easttown Theatre

Adrenaline bursting hard driver. Exciting. Jerry at 3:00 solos in all 720 degrees, just propulsive. Give her a spin.
21
Not Fade Away
May 3, 1972
Olympia Theater

Flawless trance-inducing NFA with a perfect transition into GDTRFB. Note for note perfect show.
10
Sing Me Back Home
Sept. 10, 1972
Hollywood Palladium

Perfect. May have the best vocal harmonies of all of them. Not here because of low-level boards? Try headphones, heads.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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