headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

13
Dark Star
Aug. 21, 1968
Fillmore West

First DS>Stephen>Eleven merits mention here, plus it's freaking groovy '68 Dead: No meltdown here (not yet), just 13 min. of 1st edition Dark Star.
5
Mountain Jam
Feb. 7, 1969
Stanley Theater

Check out "Primal Alligator Jam" on Feb. 07, 1969 and tell me this isn't a Mountain Jam. Anyone? In any case, I'm blown away by it.
2
Turn On Your Love Light
Feb. 7, 1969
Stanley Theater

Under the radar show, but blazing, blistering, and hard rocking Love Light. The whole set is outrageous.
5
Estimated Prophet
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Perfect execution, Jerry just note for note brilliant, Bobby sings like a man possessed. AUD quality A/A-
6
Franklin's Tower
June 7, 1975
Bob Weir's Studio

You ain't never heard anything like this. It's about half-speed, super mellow, almost Jamaican vibe. For a rehearsal, this sounds just oh so sweet.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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