headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

2
Playin' In The Band
Aug. 26, 1971
Gaelic Park

At risk of putting all '71 up here. Tell me to stop if too much! I just love the twangy country versions, knowing the evolution in store for it.
12
Wharf Rat
Aug. 23, 1971
Auditorium Theatre

Extremely powerful. Strong vocals, massive sound, tremendous jam, great mix. Coming off 30 minutes of TOO like a parachute from the ionosphere.
3
Bird Song
Aug. 23, 1971
Auditorium Theatre

Intricate zigzagging solo work from Jerry, tight ensemble playing. Doesn't ever "soar" like some of them, but more exploratory and compelling.
3
Casey Jones
Aug. 23, 1971
Auditorium Theatre

They announce the set-break, then decide to blow out the tubes on this one, capping one of the best 1st sets of 1971.
4
Loser
Aug. 23, 1971
Auditorium Theatre

Snarling guitar solo and great organ sound in an excellently mixed (Bobby audible always a plus) SBD. The whole first set is sweet heady goodness.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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