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Carrion_Crow

Stealth Head

+49712


Submissions

14
Wharf Rat
Oct. 16, 1974
Winterland Arena

Coming out of a 48 min jam to open the set, this one is like a small visitation before another huge jam>Eyes. A big epic indeed.
8
Playin' In The Band
Sept. 21, 1974
Palais Des Sports

Overlooked space-jazz masterwork. Mercurial and vast. Listen to it as the outcome of the Space before it and BANG! you're on a deep ride furthur.
6
Space
Sept. 21, 1974
Palais Des Sports

10mins of absolute weirdness. Incorrectly listed as Seastones - but Jerry, Keith and Billy are there with Phil and Ned. An outrageous corker. Scary.
4
Bertha
Sept. 21, 1974
Palais Des Sports

Show opener with mix off: not perfect but interesting to hear Phil/Bobby interplay (almost exclusively), which is rare for '74 recordings.
10
China Cat Sunflower -> I Know You Rider
Nov. 19, 1972
Hofheinz Pavilion

Uncategorizably brilliant transition jam. Sweet sweet Rider. Overshadowed by the immortal PITB that follows. Give a spin, it won't disappoint.

Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?