headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49722


Submissions

12
Loser
Dec. 10, 1971
Fox Theatre

A triumphant, anthemic version that shows another, powerful side to it. Great piano work gives it a nice flavor.
8
Goin' Down The Road Feelin' Bad
Dec. 14, 1971
Hill Auditorium

Just transcendentally perfect. The whole set from Cryptical on is monumental '71 headiness.
11
Playin' In The Band
Dec. 14, 1971
Hill Auditorium

About here Playin' starts stretching out. Only 7 min long, but there's a lot of charge here: Listen to all of them thinking "let's take this furthur".
13
Black Peter
Dec. 14, 1971
Hill Auditorium

A little more love for the early ones? A strong and powerful version that never loses focus. Beautiful.
10
Truckin'
Dec. 14, 1971
Hill Auditorium

Bristling hot show opener shows how they meant business. Dec. '71 is special transition time and this one pins you to the wall with energy.

Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?