headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

5
Big Boss Man
April 17, 1971
Dillon Gym

Great harp work from Pigpen, who's voice was still strong and full of blues: Great crunchy jamming from the band.
3
Alligator
Nov. 11, 1967
Shrine Auditorium

With the power to blast you out of your chair. Watch your dose, it's that strong.
8
Cryptical Envelopment
Nov. 11, 1967
Shrine Auditorium

Any question's about primal Dead? Answer's right here in the outro of this psychedelic monster. A really hard core brainmelter, this.
5
Black Throated Wind
Sept. 10, 1972
Hollywood Palladium

Has it all. Builds and builds up to a great peak with Jer and Keith playing all out behind a great Bobby performance.
10
Me and Bobby McGee
Feb. 18, 1971
Capitol Theater

Maybe I'm the only Head out there who digs this song, but damn if this isn't a beauty. Tight harmonies and a good-times feeling.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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