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Carrion_Crow

Stealth Head

+49652


Submissions

47
Playin' In The Band
May 14, 1974
Adams Field House, U of Montana

Slower, moody and thoughtful with Phil and Jerry-driven explorations. Brief Slipknot tease at 8:20 and 13:50 and a cool Supplication tease at 9:30.
13
Truckin'
May 12, 1974
University of Nevada

Inventive and crystal clear jam, leading into a 'nobody's fault' jam and a killer TOO>MLB where the '74 sound is just taking shape. Underappreciated.
2
Tennessee Jed
Dec. 31, 1971
Winterland Arena

Brilliant, cracklin' good, fast, tight and fun.
3
Chinatown Shuffle
Dec. 31, 1971
Winterland Arena

Crackles with up-and-jumping energy. Great show all around showing off the best of the era with Pig and Keith.
21
Scarlet Begonias
June 9, 1976
Boston Music Hall

Some funky bass be-bop and beautiful chaos in order in chaos in the outro jams. Just exactly perfect.

Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?