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Carrion_Crow

Stealth Head

+49667


Submissions

11
Let It Grow
Oct. 25, 1973
Dane County Coliseum

Been listening to this every chance I can all week. The band's so tight, Bobby's singing passionate and precise, Jer's musicality soaring. Amazing.
6
Goin' Down The Road Feelin' Bad
Oct. 25, 1973
Dane County Coliseum

Exhuberent and triumphant. Closes out one hellofa 2nd set and kicks like a rocket.
15
Stella Blue
Oct. 25, 1973
Dane County Coliseum

Sweet and subtle: A beautiful come down after the muscular peak Eyes - but the set isn't done and they ramp it up again for more. A gem of a show.
3
Casey Jones
Oct. 23, 1973
Metropolitan Sports Center

Interrupted by bad fight in front of the stage. Phil goes bonkers, calls the security guard "Asshole". Weird scene/bad vibes.
8
Black Throated Wind
Oct. 23, 1973
Metropolitan Sports Center

Keith on organ just kills it. He's hot in the mix and the song has a totally different feel for it. Show overshadowed by Nov.-Dec. '73 but worth it.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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