headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

5
Row Jimmy
Sept. 7, 1973
Nassau Coliseum

Drags at first, but Jer's soloing builds beautifully on his new Wolf. Historical if only for that but also a passionate, sweet version.
3
Goin' Down The Road Feelin' Bad
Aug. 1, 1973
Roosevelt Stadium

Jer's b-day. Sweet jamming version with great vocals, in spite/because of what sounds like a cold/sore throat. Brilliant show all around.
3
Casey Jones
Aug. 1, 1973
Roosevelt Stadium

Closes 1st set with a smooth but up-and-jumping version.
2
Goin' Down The Road Feelin' Bad
July 31, 1973
Roosevelt Stadium

Jumping version capping off a blazingly great show. With a nice mellow outro, too. The crowd and the boys just seem so full of joy and love.
5
Loose Lucy
July 31, 1973
Roosevelt Stadium

The boys experimented with Lucy till they dropped her and this here's a gritty gutbucket blues version. Essential '73 for you Lucy chasers out there.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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