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Carrion_Crow

Stealth Head

+49667


Submissions

20
China Cat Sunflower -> I Know You Rider
July 1, 1973
Universal Amphitheatre

Rock-solid China with Jerry twisting and pulling its melodic basis throughout a great solo + great Feeling Groovy trans. into Rider.
16
Me and My Uncle
July 1, 1973
Universal Amphitheatre

By far the most snarlingly bad-assed version of 1973. Jer's lines it up and shoots it down, soloing intesely throughout the whole song.
24
Playin' In The Band
July 1, 1973
Universal Amphitheatre

25 minutes of nirvana. Absolutely everything a Playin' fan could look for - with that strange summer '73 blissed-out "intense mellow".
13
Dark Star
June 30, 1973
Universal Amphitheatre

Mellow jam leading to a slow simmert, then boils and finally melts down brilliantly into a pristine Eyes. Why isn't this here yet?
3
El Paso
June 30, 1973
Universal Amphitheatre

Cowboy Bob and the Mexican Maiden at high speed rip-roaring tempos. Great bursting energy.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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