headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

9
They Love Each Other
May 20, 1973
U.C.

Most rockin' version I know. The boys sound big and tight throughout this wonderful show.
18
China Cat Sunflower -> I Know You Rider
May 20, 1973
U.C.

Really tight and uptempo. Jerry sings through a cold, but energetic and inspired guitar work. Perfect transition into Rider.
9
Playin' In The Band
June 26, 1976
Auditorium Theatre

Complex and experimental around a Stephen>Wheel sandwich. Starts and ends in wild exhuberance, but has lots of spacebugs and dinosaurs in between.
3
The Wheel
June 3, 1976
Paramount Theatre

Was this the first Wheel ever? It rolls just so sweetly - not very long, but quite perfect
10
Scarlet Begonias
June 3, 1976
Paramount Theatre

Very tight, uptempo and deeply grooving. Check out Seamons' matrix for right tape speed. Even Donna's contributino is solid on this one.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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