headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

17
China Doll
April 2, 1973
Boston Garden

Delicate an gentle - coming after a twisting rocketship of an Eyes, saying, "everything will be okay folks if we can just all come down together...."
29
Me and Bobby McGee
April 2, 1973
Boston Garden

Out of a 20 min mindbent HCS this is a sweet, heartfelt chillout. Great '73 sound.
31
Playin' In The Band
April 2, 1973
Boston Garden

An extensive, long strange trip. Hot in places, then trippy and spaced out. Fast. Phil and Jerry in total unity.
20
Row Jimmy
April 2, 1973
Boston Garden

Passionate and heartfelt with beautiful ensemble vocals. Bobby's spider rap follows.
20
Playin' In The Band
March 31, 1973
War Memorial

An immense, killer set closer. This show shows all the different faces of the Dead and this Playin should have many many fans.

Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?