headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

10
Lazy Lightnin' -> Supplication
June 10, 1976
Boston Music Hall

I suppose everyone knows the one the night before, but this one is tighter & more overwhelming in that all-encompassing 7/4 mindmelt way.
10
The Music Never Stopped
June 10, 1976
Boston Music Hall

Airtight version with perfect orchestration. Especially sweet vocals with Donna Jean at her best. Never quite lifts off in the jam though.
3
Dancin' in the Streets
June 4, 1976
Paramount Theatre

How has this whole show been overlooked? I know '76 is generally undervalued, even by '70s fans, but c'mon, this is smokin' hot stuff.
2
Stella Blue
June 4, 1976
Paramount Theatre

Gorgeous vocals and a beautiful ensemble feel. This show is seriously underappreciated.
2
Let It Grow
June 4, 1976
Paramount Theatre

Fires off like a rocket. Souped up and accelerated. Is this the first LiG without the WRS to introduce it? It's a speed demon top notch version.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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