headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

5
Mexicali Blues
Sept. 17, 1972
Baltimore Civic Center

Serious giddyup.
4
Greatest Story Ever Told
Sept. 16, 1972
Boston Music Hall

Streaks across the sky like a comet. Choose the SBD version, you won't regret it. Bobby and Donny are totally on together.
2
Big Railroad Blues
Sept. 16, 1972
Boston Music Hall

Really needs a cleanup, or some miracle tapes to clear the sound on this little gem. They were on. Where's the rest of the SB?
3
Jack Straw
Sept. 16, 1972
Boston Music Hall

Listen through the murky AUD and you'll find a powerhouse version that clearly blew the doors off. Crowd energy contributes to a great version.
2
Black Throated Wind
Sept. 16, 1972
Boston Music Hall

No bad ones at all from this era, but listen in and you can hear Jerry drive Bobby higher and higher. Great powerful emotive energy.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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